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The Vision of St. Bernard, 1524

Dirk Jacobsz. Vellert

Not on View
style; black and white

The FĂŞte of 1674, Sixth Day: Illuminations around the Grand Canal, 1676 (later edition)

Jean Le Pautre; Engraver: Jean Le Pautre

Not on View

Louis XIV Bestowing the Cordon Bleu on the Infant Duc de Bourgogne, Father of Louis XV, King of France, 1729

after Antoine Watteau; Engraver: Nicholas de Larmessin III; Engraver: or Nicholas de Larmessin II (pere)

Not on View
Caricature

Maps!/ Anything wanted to-day Sir?, July 4, 1791

John K. Baldry

Not on View
style; black and white

The FĂŞte of 1674, Fifth Day: Fireworks on the Canal, 1676 (later edition)

Jean Le Pautre; Engraver: Jean Le Pautre

Not on View
style; black and white

The FĂŞte of 1674, Fourth Day: Festival in the Marble Court, 1676 (later edition)

Jean Le Pautre; Engraver: Jean Le Pautre

Not on View
three women with backs to viewer, kneeling, wearing long dresses, cloaks, and scarves over heads; center figure holds child under PR arm; child standing with back to viewer, wearing kerchief on head; darkly shaded print; sturdier paper

%C2%A9 2013 Clare Calder%2C Estate Robert Sargent Austin

Child in Kerchief with Kneeling Woman, 1924

Robert Sargent Austin

Not on View
on cream paper; heavily shaded image of old woman sitting in profile on a stool leaning forward with hands clasped over knees; 3 cabbages at PL; sitting behind small statues of religious figures and crucifixes; stone wall in background

%C2%A9 2013 Clare Calder%2C Estate Robert Sargent Austin

Cornare Giulia, 1924

Robert Sargent Austin

Not on View
three female nudes and two putti in an oval frame; one putti holding a portrait and the second at lower left holding a pallet and brush in front of partially executed portrait

Print, (1600 - 1699)

John Boydell

Not on View
two shepherds with flock of sheep both looking left; front shepherd seated on a rock; second shepherd leaning on stick

Print, c. 1705

Jacques Coelemans; Artist: After Michaelangelo da Caravaggio

Not on View
14 birds and a squirrel; varieties identified include buzzard, peacock with tail displayed; peahen and doves

Print, 17th century

Francis Place; Delineator: After Francis Barlow

Not on View
oval image right profile of man crowned with oak leaves

Jupiter Dodonaeus, 1774

After Gyles Hussey; Etcher: Francesco Bartolozzi

Not on View
group of three women reclining in foreground; group of three women dancing center middle ground; woman carrying jug next to dancing women; group of three figures left center, one gesturing left and anotherwith covered head pointing right; building with dome on hill right background

St. Benedict Fleeing from Shameless Women, 17th century

Giacomo Maria Giovannini; Artist: After Ludovico Carracci

Not on View
ruins of medieval church; flowers and bushes growing inside; single male figure standing in center looking down

Lanercost Priory, 1780

William Byrne; Engraver: William Woollett; Artist: After Thomas Hearne

Not on View
courtroom with justice at desk; pregnant woman with hand raised swearing that child seated in chair next to justice is child of elderly man with hans raised; woman next to man is his unhappy wife

Untitled, c.1730-35

William Hogarth; Engraver: Joseph Sympson Jr.; Printer: Joseph Sympson Sr.

Not on View
old woman sitting in profile on a stool, leaning forward with hands clasped; 3 cabbages at PL; miniature statues of religious figures and crucifixes in front of her; stone wall in background

%C2%A9 2013 Clare Calder%2C Estate Robert Sargent Austin

Cornare Giulia, 1924

Robert Sargent Austin

Not on View
one of four prints on a single mat; three women and a man in a library/study; woman at right rear with cloth to face; on floor next to desk broken scientific(?) equipment

Les Femmes Scavantes, 1740

John Punt

Not on View
one of four small prints on single mat; group of four men and three women; two men in discussion; women and third man listening; tall doorway left of group

L' Impromptu de Versailles, 1739

John Punt

Not on View
three ships; rocky shoreline left foreground; tree at far left; two men, one reclining and one mounted on shore; third man with horses laden with goods; castle center distance

Seascape, 1753

Adrien Manglard

Not on View
portrait of man; head and shoulders; large ruff; armour; three quarters view; oval cartouche with square frame

Portrait of Ambrosius Spinola, 1623

Peter de Jode

Not on View
one of four small prints on single mat; two men in a landscape; man on left wearing hat with feather

Les Facheux, 1739

John Punt

Not on View
at top of plate man on bed with soldiers restraining him; group of people around bed; other soldiers with torches and swords drawn in crowd; below image long text in french

Extinction de la postérité de Charlemagne, 1781

Antoine-Jean Duclos; Designer: After Jean-Michel Moreau le Jeune

Not on View
two angels with poles right foreground; man with folded arms left foreground; village street middle ground; two people left side of street; bridge and figures in distance

Lot and the Two Angels, 17th century

Philips Galle; Artist: after Anthony Blocklandt

Not on View
two women, a man and a child conversing in rural lane; man fishing right foreground; bridge left middle ground; donkey and 2 goats left edge; city in distance

2d VĂĽe de Petite Ferme, 1761

James Peak; Delineator: After Jean-Baptiste Pillement

Not on View
woman half standing; artist holding brushes kneeling on cushion; two men talking in background; one of four small prints on single mat

L'Amour Peintre, 1740

John Punt

Not on View
kneeling woman at center of image surrounded by various figures of men (some wearing armor garments) and some women at L; view down city street at UL: columns in upper corners with figures standing on plinths

Martyrdom of Saint Lucy, c. 1613-1616

Jacques Bellange

Not on View
one of a collection of 15 engravings relating to textile production

Cotton Field in America; Threshing with a Bow; Cotton Plant (Title), 1762

Denis Diderot

Not on View
one of a collection of 15 engravings relating to textile production

Pedal-Mill (Plate I), 1762

Denis Diderot

Not on View
one of a collection of 15 engravings relating to textile production

Carding and Combing (Plate II), 1762

Denis Diderot

Not on View
one of a collection of 15 engravings relating to textile production

Glazing and Warping (Plate III), 1762

Denis Diderot

Not on View
one of a collection of 15 engravings relating to textile production

Weaving and Loom (Plate IV), 1762

Denis Diderot

Not on View
view of a stage with many figures, including soldiers and ladies in long dresses; bust of Voltaire on a pedestal at center front of stage; many figures in viewing boxes at left and right and on the floor in foreground, with Voltaire in top box on left

Couronnement de Voltaire, 1782

Charles-Etienne Gaucher; Artist: after Jean-Michel Moreau le Jeune

Not on View
three sheets glued together horizontally; waterfront view with three ships and two men in canoe; numerous foreground figures working on a ship, carrying parcels and conversing; five goats on opposite bank; coach drawn by six horses on opposite bank; buildings, pyramids and castle in background; coat of arms and key to landmarks at bottom

Prospetto dell' alma citta' di Roma (Panoramic View of Rome), 1765

Giuseppe Vasi

Not on View
two nuns; one standing in background, slightly bent at waist with hands folded looking down at a collection of pots on the ground; the other is bending over, reaching down with PR hand; stacks of pots on ground

%C2%A9 2013 Clare Calder%2C Estate Robert Sargent Austin

Sisters of Assisi, 1924

Robert Sargent Austin

Not on View
sketchy etching of a cartoonish L foot facing L; foot ends just at ankle; pronged structure begins at ankle, resembling prosthetic attachment; stray lines and marks

%C2%A9 Tom Otterness

Foot, 1992-1993

Tom Otterness

Not on View
Incomplete set (15 plates)

Plate 16, 17th century

Stefano della Bella; Publisher: Langlois

Not on View
Incomplete set (15 plates)

Plate 14, 17th century

Stefano della Bella; Publisher: Langlois

Not on View

Vignette from the Metamorphesis of Ovid, 18th century

Jacques-Louis Petit; Artist: after Jean-Michel Moreau le Jeune; Artist: finished by Jean Dambrun

Not on View
Incomplete set (15 plates)

Plate 7, 17th century

Stefano della Bella; Publisher: Langlois

Not on View
Incomplete set (15 plates)

Plate 12, 17th century

Stefano della Bella; Publisher: Langlois

Not on View

%C2%A9 Estate Gabor Peterdi

Angry Wave, 1959

Gabor Peterdi; Publisher: I.G.A.S., New York

Not on View
Plate 86

Rosa rubra plena Spinosissima, peounculo Moscoso, 1769

John Edwards

Not on View
interior view of a church looking down on congregation with men standing at sides and women seated at center--some figures processing; very large sculpted altarpiece at front with angels; painting above altar appears to be Last Supper scene

La communion des Lutheriens dans l'Eglise des Minorites Ă  Augsbourg, 1732

after Caterine Sperling Heckel; Engraver: Bernard Picart

Not on View
profile of a young figure in robes and a pointed hat with a train hanging down back; drinking from flat shell-like vessel

Standing Youth Drinking from a Cup, From Verscheyde Gedachten, Amsterdam, 1685-1730

Matthys Pool

Not on View
Joseph at R looking at a large book, seated sideways on a ledge, with landscape beyond; Mary at L, looking toward Joseph and steadying infants Jesus and John the Baptist on cushions at LLC

The Holy Family with Saint John the Baptist, 1590

Annibale Carracci

Not on View
seated St. Jerome wearing a draping garment, looking upward; saint holds rock on top of book at R; crucifix at R; other books at L; tree trunks and foliage in background

Saint Jerome in the Wilderness, c. 1591

Annibale Carracci

Not on View
Holy Family at R with Joseph feeding donkey, Mary kneeling beside manger with baby Jesus and two angels; vertical beam at center of image separates four shepherds at L with two sheep, looking on

The Adoration of the Shepherds, c. 1606

Annibale Carracci

Not on View
Abraham's servant meets Rebecca at the well and offers expensive presents; points to camels

Print, 18th century

Robert van Audenaerde; Delineator: After Carlo Maratti

Not on View

Christ before Pilate, 1635-1636

Johannes van Vliet; Artist: After Rembrandt van Rijn

Not on View
King Henry IV on horseback, PR arm raised to prevent killing of fallen man; surrounded by group of men, some dead and others begging for clemency; soldiers behind

The Clemency of Henry IV, 18th century

After Hubert François Bourguignon Gravelot; Engraver: Charles le Vasseur

Not on View

Fireworks Display Presented to the Dauphin on his Sixth Birthday on September 3, 1735, in the Gardens at Meudon, 1736

Charles-Nicolas Cochin II

Not on View

Elephant, 1663

Wenceslaus Hollar

Not on View

The Resurrection, 1561

Giulio Bonasone

Not on View

View of Flavian Amphitheater, called the Colosseum, 1776

Giovanni Battista Piranesi

Not on View

Charles I, King of Great Britain, 1770

Sir Robert Strange; Artist: after Anthony van Dyck

Not on View

Louise Emilie: Baronne d’Andlau, 1779

Augustin de Saint-Aubin

Not on View
Caricature

Frontispiece: Suite/ des cris des Marchands/ ambulants de Paris./ par J.D. Bertaux, 18th century

Jean Duplessis-Bertaux

Not on View

La Toilette pour le Bal, 1757

Jacques-Firmin Beauvarlet (?)

Not on View
Plate 25

Bataille Arrivee Dans le Tripot, 1726

Jean-Baptiste Oudry; Workshop: Chez Haquiver

Not on View

You May Count on Me!, 1789

Augustin de Saint-Aubin

Not on View
No. 21

Rendezvous at Marly, 1776-1777

Jean-Michel Moreau le Jeune; Engraver: Carl Gottlieb Guttenberg

Not on View

The Sleeping Congregation, 1736

William Hogarth

Not on View

Decoration for a Masked Ball Given by the King, 1746

Charles-Nicolas Cochin, père; Artist: After Charles-Nicolas Cochin II

Not on View

At Least Be Discreet!, 1789

Augustin de Saint-Aubin

Not on View
proof before letters

The Destruction of the Children of Niobe, 1761

William Woollett; Artist: After Richard Wilson

Not on View

View of the Chateau of Versailles Showing the Chapel, c. 1730

Jacques Rigaud

Not on View

L'Academie des Sciences et des Beaux Arts, c. 1706

SĂ©bastien Le Clerc

Not on View

Contest for the Prize for a Study of the Head and Expression, 1763

Jean-Jacques Flipart; Artist: After Charles-Nicolas Cochin II

Not on View

The Dragon of Many Heads, Fable XII, c. 1753-1755

After Jean-Baptiste Oudry; Publisher: Cochin and Beauvais

Not on View

Plate VI from Marriage Ă  la Mode, 1745

Louis Gerard Scotin; Artist: after William Hogarth

Not on View

Plate V from Marriage Ă  la Mode, 1745

Simon François Ravenet I; Artist: after William Hogarth

Not on View

Festivals of the God Pan, 18th century

Michel Aubert (?); Artist: after Antoine Watteau

Not on View
Incomplete set (15 plates) Plate 3

Plate 3, 17th century

Stefano della Bella; Publisher: Langlois

Not on View
Incomplete set (15 plates)

Plate 1, 17th century

Stefano della Bella; Publisher: Langlois

Not on View

Profile to Left, 17th century

Stefano della Bella

Not on View

La Marchande a la Toilette, 18th century

Gerard Vidal; Artist: after Nicolas Lavreince

Not on View

Rebecca and Eleazar at the Well, c. 1540s

School of Fontainebleau; Artist: After Francesco Primaticcio

Not on View

%C2%A9 Estate Gabor Peterdi

Exodus, 1952

Gabor Peterdi

Not on View
Incomplete set (15 plates)

Plate 5, 17th century

Stefano della Bella; Publisher: Langlois

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Le Combat, 1937

Pablo Picasso

Not on View
style; black and white

The FĂŞte of 1674, Third Day: The Performance of Moliere's "The Hypochondriac" in the Gardens before the Grotto, 1676 (later edition)

Jean Le Pautre; Engraver: Jean Le Pautre

Not on View

Fireworks Display Presented to the King and Queen by the City of Paris for the Birth of the Dauphin, 1782

Jean-Michel Moreau le Jeune

Not on View
Incomplete set (15 plates)

Plate 15, 17th century

Stefano della Bella; Publisher: Langlois

Not on View

Rembrandt with Plumed Cap and Lowered Sabre, 1634

Rembrandt van Rijn

Not on View

The Blind Fiddler, 1631

Rembrandt van Rijn

Not on View
Plate 2 from Carceri d'Invenzione

The Man on the Rock, c. 1761

Giovanni Battista Piranesi

Not on View

Beer Street, 1751

William Hogarth

Not on View

Gin Lane, 1751

William Hogarth

Not on View

Saint Jerome Hearing the Trumpet of the Last Judgment, c. 1621

Jusepe (Giuseppe) de Ribera

Not on View

Landscape with Tobias and the Angel, c. 1660

Anthonie Waterloo

Not on View

The Sleeping Congregation, 1736

William Hogarth

Not on View

The Arrival of the Queen at the Hotel de Ville, 1782

Jean-Michel Moreau le Jeune

Not on View
style; black and white

The FĂŞtes of 1674, First Day: The Performance of Jean-Baptiste Lully's Opera "Alceste" in the Marble Court, 1676 (later edition)

Jean Le Pautre; Engraver: Jean Le Pautre

Not on View

The Descent from the Cross (second plate), 1633

Johannes van Vliet; Artist: After Rembrandt van Rijn

Not on View

Arch of Vespasian, 1775

Giovanni Battista Piranesi

Not on View
Publisher: Gallimard; (second plate)

The Dragon of Many Tails, Fable XII, c. 1753-1755

after Jean-Baptiste Oudry; Engraver: Claude-Olivier Gallimard

Not on View

Plate III from Marriage Ă  la Mode, 1745

Bernard Baron; Artist: after William Hogarth

Not on View
Plate 11

Caterpillars, Butterflies, and Flower, 1705 (1705-1771)

After Maria Sibylla Merian

Not on View
Incomplete set (15 plates)

Plate 4, 17th century

Stefano della Bella; Publisher: Langlois

Not on View
engraved at top (Page 126 No 78)

Vignette from the Metamorphesis of Ovid, 18th century

Jacques-Louis Petit; Artist: after Jean-Michel Moreau le Jeune; Artist: finished by Jean Dambrun

Not on View

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